Dr. Sarine Waltenspül
Project Manager SNSF Project Visualpedia
T +41 41 229 56 06 • Room 3.A10
sarine.waltenspuel@unilu.ch
CV
Sarine Waltenspül is a media scholar and historian of science and technology, who also works as a filmmaker and curator. Her current research interests include scientific film, cultural heritage under the condition of the digital, visuality and knowledge, as well as practice-oriented research approaches.
Sarine studied philosophy, art history, and cultural analysis/cultural history and theory, at the Universities of Basel, Zurich, and Humboldt University of Berlin. She earned her doctorate in media studies and has held research positions at Zurich University of the Arts, the MECS/Leuphana University of Lüneburg, the Collegium Helveticum/ETH Zurich, and the Humboldt-University of Berlin. Additionally, she was an archival fellow at the Deutsches Museum in Munich, a HERMES scholar (Humanities Education in Research, Data, and Methods), and an interim professor at the University of Basel.
She has co-led and led various research projects and is currently the principal investigator of the project Visualpedia. ‘Atlas Encyclopaedia Cinematographica’ and the Visual Science and Technology Studies (2022–2026, SNSF) at the University of Lucerne. The interfaces developed within this project, in collaboration with Moritz Greiner-Petter and Mario Schulze, were awarded the Neu-Whitrow Prize by the International Union for the History and Philosophy of Science and Technology in 2025. She co-curated the exhibition String Figures. A Research Exhibition at Museum Tinguely Basel (2024/25), and co-directed the essay film Unlearning Flow (2019), which was nominated for awards at the International Short Film Festival Winterthur and Kasseler Dokfest.
In 2024, her book Modelle im Film. Eine kleine Kinogeschichte was published by diaphanes. Her forthcoming second book, Fließend. Geschichte, Ästhetik und Politik des wissenschaftlichen Films, co-authored with Mario Schulze, will be published by Konstanz University Press in October 2025.
Publications from 2021
- Waltenspül, S. (2024). Geschichtsvergessene Digitalisierung. Nationalsozialistische Provenienzen wissenschaftlich-technischer Filme aus der Sammlung des IWF. Technikgeschichte, 91 (2), 139–174. https://doi.org/10.5281/zenodo.17202190
- Waltenspül, S., & Schulze, M. (2024). Ein Film mit vielen Enden: Credits im Forschungsfilms. Nach dem Film.
- Sattelmacher, A., Schulze, M., & Waltenspül, S. (2021). Introduction: Reusing Research Film and the Institute for Scientific Film. Isis, 112 (2), 291–298. https://doi.org/10.5281/zenodo.7216080
- Waltenspül, S. (2021). Reusable and Nonreusable Films: From Ballistic Films to the Encyclopaedia Cinematographica. Isis, 112 (2), 342–351. https://doi.org/10.5281/zenodo.7216004
- Gramelsberger, G., Friedrich, A., & Waltenspül, S. (2021). Wissenschaftslabore als artifizielle Zeitkonfigurationsräume. Zeitdehnung, Zeittransformation und Zeitkonservierung. Jahrbuch für Technikphilosophie, 163–193. https://doi.org/10.5281/zenodo.7476879
- Waltenspül, S., & Schulze, M. (2025). An Introduction to String Figures between Art, Anthropology, and Theory. In Schulze, Mario & Waltenspül, Sarine (Eds.), String Figures: A Cultural Practice between Art, Anthropology, and Theory (pp. 7–43). Zürich/Berlin: Diaphanes. https://doi.org/10.5281/zenodo.15131209
- Waltenspül, S. (2025). Who Owns the Films? In Schulze, Mario & Waltenspül, Sarine (Eds.), String Figures: A Cultural Practice between Art, Anthropology, and Theory. Zürich/Berlin: Diaphanes. https://doi.org/10.5281/zenodo.17433467
- Fankhänel, T., & Waltenspül, S. (2023). Einleitung: Der konstruierende Blick. Fotografisches Entwerfen in der Architektur. In Becker, Tobias, Fankhänel, Teresa, Jelonnek, Dennis & Waltenspül, Sarine (Eds.), Der konstruierende Blick: Fotografisches Entwerfen in der Architektur (pp. 5–10). Berlin: Schlaufen Verlag. https://doi.org/10.5281/zenodo.13946420
- Waltenspül, S. (2022). Maß und Macht. Pflanzenporträts mit Männern. In Allemeyer, Marie Luisa, Baur, Joachim & Vogel, Christian (Eds.), Räume des Wissens (pp. 142–145). Göttingen: Wallstein. https://doi.org/10.5281/zenodo.14223840
- Schulze, M., & Waltenspül, S. (2022). Was weiß denn schon ein Film? Eine kurze Filmbiografie. In Allemeyer, Marie Luisa, Baur, Joachim & Vogel, Christian (Eds.), Räume des Wissens (pp. 190–193). Göttingen: Wallstein. https://doi.org/10.5281/zenodo.14163823
- Waltenspül, S. (2021). F for Film. In Fankhänel, Teresa, Turner, Olivia, Wells, Matthew & Valeriani, Simona (Eds.), Alphabet of Architectural Models. London/New York: Merrell.
- Schulze, M., & Waltenspül, S. (2021). Follow the Films! Reuses of a Research Film: Biography, Recycling, Appropriation, and Palimpsest. In Moskatova, Olga (Ed.), Images on the Move: Materiality – Networks – Formats (pp. 231–257). Bielefeld: transcript. https://doi.org/10.14361/9783839452462-011
- Schulze, Mario, & Waltenspül, Sarine (Eds.). (2025). String Figures: A Cultural Practice between Art, Anthropology, and Theory. Zürich: diaphanes. https://doi.org/10.5281/zenodo.15131109
- Becker, Tobias, Fankhänel, Teresa, Jelonnek, Dennis, & Waltenspül, Sarine (Eds.). (2023). Der konstruierende Blick: Fotografisches Entwerfen in der Architektur. Berlin: Schlaufen Verlag.
- Sattelmacher, Anja, Schulze, Mario, & Waltenspül, Sarine (Eds.). (2021). Focus: Research Film. Chicago: The Universits of Chicago Press.
- Waltenspül, S., & Schulze, M. (22 June 2022). The fascination of images. Globe Magazine, Wissenschaftsmagazin der ETH. https://doi.org/10.5281/zenodo.7274505
- Waltenspül, S., & Zimmermann, R. (1 December 2022). Artistic Research at the Collegium. Collegium Helveticum Fellow Year 21/22. https://doi.org/10.5281/zenodo.7665258
Achievements
- Reusing Technology: NS-Forschungsfilme in der Bundesrepublik. (Panel) contribution, Technik im Nationalsozialismus, Jahrestagung der Gesellschaft für Technikgeschichte, KZ-Gedenkstätte Mittelbau-Dora, Nordhausen, 2022
- Digital Film Collection Literacy – Critical Research Interfaces for the “Encyclopaedia Cinematographica”. (Panel) contribution, Digital History, Universität Basel, Basel, 2024
- Visualpedia. Research Interfaces for the Encyclopaedia Cinematographica. (Panel) contribution, Docu & Demo Condensed Knowledge Formats, Collegium Helveticum (Inge Hinterwaldner), Zürich, 2024
- Quantifying flow? About the history of Particle Image Velocimetry (PIV) and how to turn a flow film into a data film. (Panel) contribution, Writing the History of Computer Visualizations in the Sciences: Production, Uses, and Circulations (1940-1990), Centre Alexandre-Koyré (EHESS, CNRS, MNHN) (Edgar Lejeune), Paris, 2024
- Donnerstagskino - Eine Einführung in Fadenspielfilme. Kick-off speech, Donnerstagskino: Ethnologische Themen der Zeit, Museum für Völker?kunde, Zürich, 2023
- Ein Strömungsfilm in Bewegung. Lecture, Technik in Bewegung, Jahrestagung der Gesellschaft für Technikgeschichte, Gesellschaft für Technikgeschichte, Wuppertal, 2023
- Grey Literature? Closing statement, Media History, Media History / CH, Basel, 2023
- Praktische Visual STS – Argumentieren mit und im Visuellen. Kick-off speech, Visual Science and Technology Studies, eikones, Universität Basel, Basel, 2023
- Die Encyclopaedia Cinematographica – Eine 'sensible Sammlung' unter digitalen Bedingungen? Lecture, Universitäre Filmsammlungen im digitalen Zeitalter, Arbeitsgruppe Filmwissenschaft, Seminar für Filmwissenschaft, Universität Zürich, Zürich, 2023
- Visualpedia: The History and Films of the Encyclopaedia Cinematographica. (Panel) contribution, Epistemic Media: Atlas, Archive, Network, European Network for Film and Media Studies, Bukarest, 2022
- String Figures. Moderation, Artist's Talk with Katrien Vermeire, Museum Tinguely, Basel, 2024
- Fadenspiele in Kunst, Kultur und Ethnologie. Eröffnungsrede, Vernissage Fadenspiele/String Figures, Museum Tinguely, Basel, 2024
- Curator's Tour. Museumsführung, Fadenspiele/String Figures, Museum Tinguely, Basel, 2024
- Die Encyclopaedia Cinematographica – eine analoge Filmsammlung unter digitalen Bedingungen. Poster, Jubiläum: 20 Jahre Kulturwissenschaften: Forschen, lernen, feiern., Kulturwissenschaften, Universität Luzern, Luzern, 2023
- Films of String Figures in the Encyclopaedia Cinematographica. Presentation, String Figures. An Interdiciplinary Workshop, Museum für Völker?kunde Zürich, Zürich, 2023
- Fadenspiele. Kick-off speech, Fadenspiele: Vernetztes Denken und Handeln, Hochschule Luzern, Luzern, 2022
- Maß und Macht. Pflanzenportraits mit Männern. Lecture, Räume des Wissens: Der Live-Leselauf, Forum Wissen (Christian Vogel, Nina Maria Knohl), Göttinger Literatur Herbst, Göttingen, 2022
- Visual Science and Technology Studies, (Co-)Organiser, Basel, 2023
- Fadenspiele, (Co-)Organiser, Luzern, 2022
- Films of Experiments in the Arts – More than a 100 Years of Scientific Films: A Series of Screenings and Talks (4/4), (Co-)Organiser, Collegium Helveticum, Zürich, 2022
- Films of Fluids in the Lab – More than a 100 Years of Scientific Films: A Series of Screenings and Talks (3/4), (Co-)Organiser, Collegium Helveticum, Zürich, 2022
- Films of Primates in the Lab – More than a 100 Years of Scientific Films: A Series of Screenings and Talks (2/4), (Co-)Organiser, Collegium Helveticum, Zürich, 2022
- Films from the Lab – More than a 100 Years of Scientific Films: A Series of Screenings and Talks (1/4), (Co-)Organiser, Collegium Helveticum, Zürich, 2021
- String Figures. An Interdiciplinary Workshop, (Co-)Organiser, Zürich, 2023
- Models in Film. Neighbours, École Polytechnique Fédérale de Lausanne, 2024
- Ein Film mit vielen Enden: Die hundertjährige Geschichte eines Forschungsfilms. Film Credits und Listen: Materialität und Temporalität, FU Berlin, 2023
- Filmevidenz. Die Geschichte des Göttinger Strömungsfilms. Kolloquium Dialogo, Stuttgart, 2022
